![]() " Just the Two of Us" ( Toshinobu Kubota featuring Caron Wheeler) "Keep on Movin' (Remix)" ( Soul II Soul featuring Caron Wheeler) ![]() " Back to Life (However Do You Want Me)" ( Soul II Soul featuring Caron Wheeler) " Keep On Movin'" ( Soul II Soul featuring Caron Wheeler) ![]() "A New Day" (featuring Louie Vega and Jazzie B) Īs featured artist List of singles as featured artist, with selected chart positions and certifications, showing year released and album name Singles As lead artist List of singles as lead artist, with selected chart positions and certifications, showing year released and album name "-" denotes items which were not released in that country or failed to chart.Ĭompilation albums List of compilation albums She has sold over 6.6 million records collectively as a solo artist and, with Brown Sugar and Soul II Soul.Īlbums Studio albums List of studio albums, with selected chart positions, sales figures and certifications I just discovered Caron Wheeler's album Beach of the War Goddess, and I love it.British singer and songwriter Caron Wheeler has released two studio albums, one live album, one compilation albums, and 14 singles (including 4 as a featured artist). What have you been listening to / reading / watching / enjoying lately? Would you say that’s accurate in your images also?īR: I think of the lines as something the characters in the drawings might have stuck in their head, maybe it's phrase that pops in their head when they wake up, or when their blood sugar is low. They are not used to explain the image but more precisely they use the image as a tool to communicate bigger ideas, opinions, critiques of current culture. The use of language here reminds me of the language we associate with memes or quick quips on Twitter. There was quite a bit of variation, but there was also a lot of overlap of what people liked, which drawings worked and why. I asked about 20 people to make selections. Our enjoyment in art or our preference towards individual pieces within a series rarely has weight in the future of the piece or series.īR: Yes, it's a really great experience to let different people reflect back to you what speaks to them. You would show each participant your stack of drawings and ask them to choose 8 to 10 drawings that you would then keep (I am guessing you discarded the rest?) I love the shift the participant makes from observer to curator. When I first spoke to you about the work, you mentioned you were setting up meetings via FaceTime with random participants. What you pointed out is exactly I loved hanging them in the abandoned pizza place! Classic Manhattan pizza place without the pizza and drawings instead. Everything from the pizza place is still there: the ovens, the sacks of flour, the display vitrine. The exhibit is about rebuilding and erasure. I just put about 10 of the drawings up in a pizza place that went out of business over the past year. I love the idea of the abandoned and the hurt are leaning into one another to create stability. You wrote recently that the characters represent individuals recovering from trauma. ![]() The characters are then drawn on top of the photograph. The base of your drawings are photographs of abandoned structures (more specifically abandoned half built structures in Mexico). ![]() Later on, I decided to transplant myself to New York where I get to play many different roles, which is something I love. I had to re-orient myself around this new culture and think about my role in it. It is an interest that grew out of having been transplanted to a very different culture when I was a kid. For the past few years, I have spent a lot of time thinking about how my work relates to its audience, how it finds its audience and what it wants to do with the audience when it finds it. ![]()
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